March 12, 2009
News Roundup!
November 5, 2008
Weekly CEERES news roundup
Big in the news this week was the meeting in Moscow between Armenia's President Sarkisyan and Azerbaijan's President Aliyev during which they signed a joint declaration regarding the sepratist region of Nagorno-Karabagh (BBC, Wikipedia). Reactions are mixed, as reported on EurasiaNet and the Euraisa Daily Moniter (which also includes a run-down of the declaration). From a completely different angle, on October 16th, apparently over 700 couples got married in Karabagh, in an attempt to help boost the region's small birth rate (IWPR).
Apparently Saakashvili is having a grand old time firing people. (BBC)
While not directly related to the region, the US presidential election was big news everywhere. Some pre-election feelings from the region can be found on EurasiaNet and TOL, and articles on reactions from Macedonia and Kosovo are highlighted on the homepage of BalkenInsight.
In brief, we also have the EU's effort to increase it's presence in Tajikistan, teaching diversity in Romania via some new textbooks, and Ukraine's recent dropping of Russian channels from cable.
And because I love the BBC, I'd like to point out this interesting article discussing the Ossetians' love of the movie "Braveheart."
February 21, 2008
Roma Rights in Macedonia
http://chicagopublicradio.org/content.aspx?audioID=17713
Kosovo’s neighbor to the south is Macedonia. Macedonia has hosted a
substantial number of refugees from Kosovo. Today there are still more
than a thousand refugees in Macedonia. Some 95 percent of these are from
the Roma ethnic community.
Like most Balkan countries, Macedonia already had a considerable Roma
population. Roma are commonly called Gypsies. They have a history of
discrimination and marginalization throughout Europe.
Roma communities tend to be among the poorest, with low rates of education,
employment, and access to social services. Romani women and girls often
face discrimination based on ethnicity and gender. And some 70% report
experiencing some form of domestic violence.
October 4, 2007
a whole world of graphic novels
As a reader, I find graphic novels-with their mix of whimsy, intimacy-to be a unique and often gripping way to express moments in our lives. I also think this form would be a great resource for teaching in middle and high schools about certain historical circumstances. As resources, these books and often their websites provide great contextual information for learning and teaching about these regions and themes.
Perhaps because the recent history of East Europe has been so tumultuous, and often hard to describe only utilizing traditional forms of narrative (novels, history books, films), there now seems to be a boom in graphic novels trying to make sense of, or at least represent the memory of, this region's events.
In my memory, what really launched the form of the graphic novel as a literary tool with deep emotional impact, was Maus: A Survivor's Tale, which was set in Poland during the Holocaust. Maus is written and illustrated by Art Spiegelman, and it depicts his relationship with his father, and his father's story of living to tell the tale of Holocaust. [In a turn of brilliant metaphoric graphic depiction, the Jewish Poles are mice, while the Nazis are cats]. When I was a high school student, the film "Schindler's List" was the chosen media to discuss the Holocaust in my school. I think Maus is at least as compelling, and perhaps more personal and accessible.
A recent publication has me excited, but I'm kicking myself for missing the chance to meet the artist. And it sort of picks up at the point of history in East Europe where Maus leaves off. The Wall: Growing Up Behind the Iron Curtain by the famous Czech graphic artist and MacArthur Fellow Peter Sis, was launched last weekend in Chicago. This is story of life in communist Czechoslovakia under the thumb of the Soviets.
Fast forwarding to more tragic events in Europe, we have Joe Sacco's account of the Bosnian war - "Safe Area Gorazde: The War in Eastern Bosnia, 1992-95". Can't make sense of this complex conflagration? much less teach it? Here is a work of journalism and comic illustration that might be a useful tool, and is a great read as well. This is a genre that Sacco excels at. In 1996, he was awarded the American book award for a two-volume graphic novel account of the West Bank and Gaza strip, "Palestine".
Another very popular graphic memoir is Persepolis, by Marjane Satrapi. It's the story of an Iranian woman growing up at the time of the Islamic Revolution. It's actually going to be released as a film this year.
As a sort of instructive, optimistic, if still harrowing addendum to "Safe Area Gorazde", we have this year's "Macedonia: What does it take to stop a war?" I mentioned this book in an earlier post about the Republic of Macedonia (and I'll probably mention it again, because we're going to be hosting the creators of this book down here in Hyde Park!). It's co-written by important American comics writer Harvey Pekar, and Heather Roberson, a peace worker who spent time in Macedonia when the country was on the brink of civil war; and illustrated by Ed Piskor. Heather's website and blog about the book, and peace work in general, raises a very valid point - why do we focus on war and the history of those countries afflicted by war so frequently: in our media, and in our classroom teaching. Why shouldn't we work for, document, write about, teach, and celebrate peace, whenever, wherever, and however it occurs?I am especially excited because Heather Roberson is going to be visiting Chicag
o this month. She'll be talking to schools; and down here at the University of Chicago, we'll have a chance to meet her (of course, this is free and open to the public, so anyone can come). She'll give a talk at UC on Monday, Oct. 15 at 3:30pm. Check the events list on the CEERES home page for more details. Hope to see you there. For a sneak peak at the author, this is Heather over here on the right, as illustrated in her book by Ed Piskor.
September 20, 2007
All About Macedonia
This comics panel is from the new graphic novel "Macedonia, What Does is Take to Stop a War?", written by Harvey Pekar (of American Splendor, both the comics and the reknowned film) and Heather Roberson (that's Heather in illustrated form to the left), and illustrated by Ed Piskor. I just found out about this book and am very excited to read it, and this leads me to the theme of my post today. It's All About Macedonia, and for some reason it's converging on us here in Chicago.That's great news for people who want to learn more or teach about a small republic of the former Yugoslavia that is little known, gets little media attention (which is sometimes good if that means that there's nothing too bad happening to report about), and whose language is little studied outside of its borders - a LCTL, or a Less Commonly Taught Language, in Education's parlance.
But a lot seems to be happening here in Chicago, and at The University of Chicago.
This is one of the few institutions where a student can actually receive instruction in the Macedonian language, one of the south Slavic languages that are in fact all LCTLs, and many of which are taught here.
Next Friday, September 28, 2007, we have the opening of a photo exhibit called "Time and the Sacred". It's a collection of photographs by Pance Velkov, a Macedonian photographer and cultural preservationist, who has documented sacred spaces and frescoes that often date back to the 11th century, and in many cases have been used alternately by Muslims and Orthodox Christians throughout their histories. The exhibit has found an impressive and appropriate home at the Rockefeller Memorial Chapel on the U of C campus, and will run from Sept. 28 until Dec. 24, 2007. On Sept. 28, the artist will join us for the opening, and will give a talk on "Photographing Heritage: Art or Documentation." The picture above is one of the 37 images on display. The opening is open to the public, as is the Rockefeller Chapel every day of the exhibit from 8am-4pm.This past spring, CEERES convened a workshop "Rethinking Crossroads: Macedonia in Global Context", which offered a venue for the new research being conducted in and on the Republic of Macedonia. The idea behind the title is that, often, Macedonia is defined externally, by the notion that it is a crossroads of other cultures and peoples and their attitudes; rather, the conveners of the workshop sought to address how is Macedonia defining itself, situating itself in its own global context. Paper titles and presenters at the March 31, 2007 workshop can be found here.
In the past, we've sponsored a showing of Macedonian film-maker Milcho Manchevski's Oscar-nominated film "Before the Rain" at Doc Films. The buzz is that he has a forth-coming film "Senki", or "Shadows", and once it's out, I'll bet we'll try to get it shown on campus.
If you'd like find out more about the Republic of Macedonia for the sake of personal interest, or if you're looking for resources to supplement classroom instruction on the region and the language, I suggest you start with SEELRC's Webliographies, which are available for 24 of our region's languages and countries.
Be sure to keep checking back here for more news about Macedonian-related events and resources. First, I'm going to pick up "Macedonia" by the Heather Roberson and the legendary Pekar and give it a read...
September 5, 2007
Gypsy Wednesday
What really got me thinking about getting this CEERES Blog up and running is the incredible cultural entertainments and events happening in Chicago.
Last night, the Associate Director of CEERES, Meredith Clason, and myself (Jeremy Pinkham, Outreach Coordinator) took a field trip to the historic Chicago theater the Music Box to see the documentary film Gypsy Caravan.
Gypsy Caravan at the Music Box Theater
The documentary follows the Gypsy Caravan, a 2002 concert tour in the U.S. made up of 5 Romani musical groups from Macedonia, Spain, India, and Romania. I'd like to comment on some of the more interesting, eye-opening elements of the film. For one, the music, and variety of musical traditions, coming out of Rom culture is extremely rich and varied. I, for one, was not aware that flamenco music and dance, so associated with Spain, actually has its roots in the Spanish gypsy population. Nor was I aware that an old population of Rom still lives in India (in Rajastan, the supposed ancestral homeland of Rom peoples), though on second thinking it makes perfect sense. The film received favorable comparisons to Bueno Vista Social Club, and I only wish that we were shown more music throughout the course of the film.
There is much talk among the musicians in Gypsy Caravan about the commonalities still shared by these geographically isolated yet culturally linked populations, and about the common soul and rhythm of the gypsies. Something even more interesting to me are the elements that we are shown in passing that give context to the lives of the Romani in the places they live. We get the idea that the success of some of these musicians in the west provides the only income for some of the families and villages back home. One fascinating scene has an interview with a gypsy war refugee from Kosovo, who has found acceptance and assistance from Romanis in Macedonia.
Of note: one of the featured performers in Gypsy Caravan, Esma Redžepova of Macedonia, provided the single Čaje Šukarije for Borat.
I'd recommend this film for a number of reasons: experience great music; find out about a group of people scattered by time, diplacement, and prejudice, but nourished by their community and traditions; visit the wonderful Music Box theater.
[By the way, without meaning any insensitivity, I use the term gypsy, which is often regarded as derogative, interspersed with the more acceptable ethnic terms Rom, Roma, and Romani, because the use of the various terms show how identities are constructed, reinforced, and questioned over time.]
A little more on Gypsies
Watching the film also reminded me that there are other media resources about Rom music that I've been meaning to share. Influences of Balkan, Slavic, Gypsy, punk, jazz, and rock are fusing in lots of different bands in Europe and especially in the U.S. One of the more increasingly well-known bands is Gogol Bordello, based out of NYC, and who seem to be touring across the states all the time. The are fronted by Eugene Huts, a Ukrainian who grew up in the USSR and is a survivor of the Chernobyl disaster. Recently, I heard a couple great pieces of radio about the band and their music. These resources are available online and as podcasts:
That's all for Gypsy Wednesday. I'm sure there's lots more news, events, and bands I could profile in this space, but this media came to my attention, and I hope it's a jumping-off point.